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very best job <a href=" http://www.samhardenburgh.com/fidena-mg.pdf ">茂禄驴fidena</a> By the early 1960s Regina Resnik had appeared in all the world’s major opera houses — Berlin, Salzburg, Vienna, San Francisco and Buenos Aires included — while her repertoire expanded to include the Marquise in Donizetti’s La Fille du R茅giment (with Sutherland and Luciano Pavarotti), Klytemnestra in Strauss’s Elektra (under Georg Solti) and the Countess in Tchaikovsky’s The Queen of Spades (under Rostropovich). When learning the part of Marina in Mussorgsky’s Boris Godunov (with which she marked her return to the Met as a mezzo under Dmitri Mitropoulos in 1957), she was able to practise the role with her parents, who advised her on the Russian pronunciation. |